We get some nice looking, up close and personal photos of Camille Rose Garcia's Lulu, Patch, Cherry Girl, and Katie and Sadie.  These 4 figures will be available from Necessaries Toy Foundation and will be available at Camille's October 1st show opening.  NTF has given us some amazing figures such as Enid, BunnyDuck and Antoinette - The Sympathy Girl.

Each figure is over 14 inches in height!  They should retail in the $60 area.  I can't wait!

CSUF Grand Central Art Center is proud to
present the exhibition
The Saddest Place on Earth the Art of
Camille Rose Garcia

October 1 - December 18,
2005

A 138-page, hardcover book featuring more
than 100 color images has been produced for this exhibition. On October 1, Camille Rose Garcia will sign books from 6-7
pm, and an exhibition reception will be take place from 6-10
pm.

According to Merry Karnowsky Gallery: Camille Rose Garcia was born in Los Angeles, California and grew up in the generic suburbs of Orange County, visiting Disneyland and going to punk shows with the other disenchanted youth of that era. Her paintings of creepy cartoon children living in wasteland fairy tales are critical commentaries on the failures of capitalist
utopias.

Creative influences include Phillip K. Dick,
William Burroughs, Henry Darger, Walt Disney, as well as
politically aware bands like The Clash and
Dead Kennedys. Her work has appeared in Flaunt Magazine, Rolling Stone, Juxtapoz and Paper Magazine, among others. Her art has
been exhibited internationally in Spain, Germany and Italy, as
well as in Los Angeles and New York. She currently lives in
Los Angeles.

As Mike McGee wrote in the essay
for the book, The Saddest Place on Earth the art of Camille Rose
Garcia:

Camille Rose Garcia's art might lead one to think
it is from a distant time and place. The surfaces of her paintings are
fatigued and suggest layers that have been worn and repeatedly painted
over; her patterns and motifs allude to an array of eras from the
Middle Ages to the 1950s with heavy leanings
toward the 50s; and her figures are remote cousins of classic fairytale and early-twentieth-century cartoon
and animation characters. Yet Garcia is very much an artist of and
about our time. The late playwright Arthur Miller told several interviewers during his lifetime that what motivated him to write was a
burning desire to critique the society in which he lived. Garcia has a
similar passion to create inventive characters and imaginary worlds that function on a gamut of levels but most pointedly to assess and comment upon the twenty-first century world in which she lives. As she told an interviewer, "Things that make me mad motivate
me."

In a 2003 article for the British magazine Modern
Painter, in which he was asked to identify the twenty-four hottest
artists in Los Angeles, art-world pundit and Coagula magazine founder
Mat Gleason wrote that Garcia is "the most interesting acolyte of the
Juxtapoz magazine art movement." She has received considerable coverage
by the press, lauded by mainstream and alternative critics alike. One
Los Angeles Times critic wrote, "Garcia's paintings have a dark, dark
charm." In a cover story for Los Angeles Times Magazine about Chicano
art today, another writer observed, "Her experiences and work
perfectly reflect the crossroads at which this new generation of [Chicano] artists has arrived".